I am continually asked to share what I’m working on; my expeditions, my photography and my appearances, so with that in mind I’m introducing the first edition of the Quarterly Wild Image Project Newsletter. The Newsletter is designed to keep you up-to-date on not only where I’ve been and what I’ve been doing, but also to let you know about upcoming expeditions, photographic engagements and appearances.
What a great year it has been so far! It’s now the end of summer and fall is just around the corner. What follows is a snapshot, literally and figuratively speaking, of my work to date.
EXPRESS NATIONALS 27
I was invited to photograph the 2013 Express 27 Nationals, held this year in the San Francisco Bay and hosted by the Richmond Yacht Club. If you’re not familiar with the Express 27, it an ultra-light displacement sloop designed by Carl Schumacher. It was built by Terry Alsberg at Alsberg Brothers Boatworks in Santa Cruz, California from 1981 to 1988.
My intent with this assignment was to capture the excitement and intensity of the race and the competitive spirit of the racers. The green waters of the bay and the urban background were a challenge for the artistic vision I had so I desaturated the photos, keeping only the reds, yellows and blues. While increasing the highlights and whites allowed me bring focus on the sails and boats.
IN SEARCH OF AN ILL FATED LANDING
On July 18th, fellow explorer Nathaniel Stephens and I set off on a kayak expedition along the Pacific coastline of Alaska. This route had always been of interest to us for two reasons: finding the Petroglyph Rocks at Surge Bay believed to be associated with the ill-fated Bering/Chirikov Expedition landing of 1741 and scouting the route for future commercial expeditions.
We followed the Pacific Coast of the Chichagof Island, starting from Sitka. From there we voyaged our way north to Hoonah, covering 140 miles through Alaska’s pristine waters, following the West Chichagof-Yakobi Wilderness, part of the Tongass National Forest. It is the largest national forest in the United States with most of its area part of the “perhumid rainforest zone, Earth’s largest remaining temperate rainforest. Made up primarily of western red cedar, sitka spruce, and western hemlock, the land spreads over thousands of islands and is home to animals that are barely found anywhere else in North America, including a group of brown bears more closely related to polar bears than to other living brown bears. Besides being of great environmental value, the area is extremely rich in cultural history – more than 10,000 years ago, the Tlingit people settled here.
Our expedition will also be featured in the SEA KAYAKER Nov/Dec issue.
I had heard about the Hawaiian islanders spiritual belief in PELE, the goddess of fire, lightning, wind, and volcanoes who, it is believed, lives in the Halema’uma’u crater, at the summit of Kilauea, Hawaii’s most active volcano. Its lava continually flows reshaping the Big Island’s Kalapana southwest landscape. The islanders believe the melted rock is the blood of the Goddess and while this incredible display of earth’s power attracts thousands of tourists every year, for them it is a constant reminder of their origins and how their land came to be. So in June, I journeyed to the Big Island in hope of discovering and experiencing this sacred connection.
My creative process is always the same; immerse myself into my surroundings, absorb its energy and let its spirit ignite and guide my work. Hiking the treacherous lava field of Puna almost every night, I came to understand and felt the sacredness of the place. TIME is result of this connection. It is a story about our perception of time in relation to what is, in simple terms, the cause responsible for this world we now try hard to protect.
While most volcano photography focuses on free flows and wide landscapes, I wanted to create an abstract and artistic perspective of Pele’s intensity. These clefts are the result of a constant but slow force. One fracture at a time, earth is moved forward to form new landscapes, erasing the old ones. Invisible by day, their presence and intensity is only revealed at night, cracking the dark world open, like lightning splitting the sky in pieces. By taking the lava out of its environmental context, the beauty and power is revealed without any interference or distraction. You can see the resulting photography by visiting my online portfolio.
While in Hawaii, I took the occasion to join some friends in Kona and go free diving with dolphins, pilot whales and oceanic whitetip sharks. Take a moment to watch the 3 videos BLUE MORNING, DOLPHIN MOMENT & SUNDAY PAUSE.
IT TAKES A VILLAGE
I could never accomplish the work I do without the support and partnership of my sponsors. Each one of them, in their own way, enable me to reach into nature, explore our world and bring it to you visually and through the written word.
My heartfelt thanks goes out to:
KOKATAT, WILDERNESS SYSTEMS, DEUTER, AQUALUNG, MOUNTAIN KHAKIS, SIERRA DESIGNS, SANDISK, DELORME, VOLTAIC SYSTEMS, DAHLGREN, SPERRY TOP SIDER, OPTIMUS, KATADYN, ADVENTURE TECHNOLOGY, KLEAN KANTEEN, AQUAPAC, SOG, G-FORM, LEUPOLD & GOLDEN VALLEY
AROUND THE CORNER
On September 9th, I’ll partner up again with Nathaniel Stephens to traverse the Admiralty Island. We will start in Juneau with a crossing of the Gastineau Channel to nearby Douglas Island. We will then face the challenging crossing of Stephens Passage and its notorious rough water. Heading south through Seymour Canal our goal will be Pack Creek, a famous area with one of the highest concentrations of Brown Bears in the world. Following the Cross Admiralty Canoe Route, we will reach the eastern side of Admiralty and make our way toward the Tlingit village of Angoon, the island’s only permanent settlement. We will meet with clan elders and learn about the town’s fascinating history, including an 1882 bombardment by the US Navy after a whaling dispute.
One of our goals is to continue producing the type of educational short videos we broadcast on our last expedition. Being explorers, we have the unique opportunity to bring to the public our in-the-field discoveries. You can watch some of these videos here Sundew Flowers, Bear Signs, Little Brown Bats, Chicken of the Woods and Coralroot Orchid.
I also plan to use photography to capture the essence and spirit of the Brown Bear, revered by many and a sacred totem for countless indigenous cultures.
FALL ON CHANNEL ISLANDS
In October, I plan to set up camp on the Island of Santa Cruz in the Channel Islands, off the California Coast and spend 3 to 4 weeks exploring the archipelago. Kayaking and hiking my way around, my goal will be to connect with the island’s rich cultural past and precious ecosystem. And just like the people of the Churmash Indian tribe did thousands of years ago, I will paddle my way from the mainland to the Channel Islands.
With the help of National Park Service and Nature Conservancy, I will look into what makes these islands so important for Conservation and so adored by the American public. Partly educative and partly artistic, the content created for this trip will for sure not disappoint!
SEASONS AT THE FARALLONES
In partnership with the NOAA Gulf of the Farallones National Marine Sanctuary, I am working a photography/book/exhibition project titled “Seasons at the Farallones”. Although close to mainland, the islands have rarely been photographed – quite exceptional for such a unique environment and its proximity.
The Farallons are a group of islands off the coast of San Francisco, California, just 30 miles (48 km) outside the Golden Gate. Even thought the first European to record the islands was the English privateer Sir Francis Drake, who landed on the islands on 24 July 1579, it was the Spanish explorer Sebastián Vizcaíno who first charted them in 1603 and therefore gave them their name “Farallones”, meaning “rocks out of the sea”
Besides being known for its Great White Sharks population, the islands are home to more than 250,000 seabirds, 5 species of seals and sea lions and are visited every year by several whales species, including gray whales, humpbacks, blue whales, and the powerful killer whale.
By staying on the islands for periods of 2 to 3 weeks in Winter, Spring, Summer and Fall, the goal will be to accurately capture the distinct seasons of such treacherous and extreme environment and the wildlife it inhabits.
JACKSON HOLE FILM FESTIVAL
Internationally recognized as the premier event of its genre, the Jackson Hole Wildlife Film Festival, held from September 23 – 27, has invited me to attend and photograph their event. Similar to what I’ve previously created for the Express 27 Nationals and the 2013 Digital Life Design Conference in Munich, my goal is to capture the energy and content of this event so that it can be shared around the world.
If you happen to be there at the same time, please reach out to me so we can meet.
THE WILD IMAGE PROJECT ON FACEBOOK
The online world is in constant change and it is important to have a platform that appropriately communicates the intended message and reaches out to both current and new audiences. So to make it easier for you to follow my photography, expeditions and appearances, I’ve re-launched the Wild Image Project Facebook site. All my FACEBOOK postings and updates can now be found here. From this page, you’ll be able to easily connect with me across all my social media networks, e.g., Pinterest, Twitter, Instagram.
I’ll be closing down my current Facebook personal page so be sure to take a minute and visit the new page and follow me by clicking LIKE.
PURCHASING PHOTOGRAPHY or SIGNING UP FOR FUTURE EXPEDITIONS
If you are interested in purchasing Wild Image Project photography or signing up for future expeditions contact me via email at daniel – wildimageproject.com.